“Newspapers” Items

Social Contract with Readers, 1978

The American Society of Newspaper Editors asked Ruth Clark to look at the issues between readers and editors.  She refers to this as the “new social contract.” The study, done in 1978, discussed one of the most important issues, behavior influences and “the changing relationship between readers and their newspapers.”  From the summary:

We know very little about the subtle forces that seem to be weakening the emotional ties of many readers, making newspapers less wanted, less needed or, in extreme cases, resented. Analyzing the chemistry of individual relations is difficult enough; explaining group attitudes is even more challenging.

The present pilot study is an attempt, nevertheless, to provide some preliminary insights into what might be called “The New Social Contract between Newspaper Editors and Readers.” It is an effort to deepen our understanding of findings that have been emerging from major reader surveys of the Newspaper Readership Project.  As a by-product, it is also a demonstration of techniques that editors can use  to establish a direct dialogue with readers and non-readers as part of a continuing search for new ways to increase newspaper reading.

The work was commissioned by the American Society of Newspaper Editors and funded by the Readership Council. It was carried out by Yankelovich, Skelly and White, Inc., under the direction of Ruth Clark.

More that 120 regular readers, occasional readers, and non-readers were interview­ed in informal focus group sessions in 12 different daily newspaper markets, both competitive and non-competitive, chain and non-chain. As a special feature, editors not only observed all the sessions but participated part of the time. 

Being Part of the News

While in journalism school at San Francisco State University, I was stringer for United Press International. UPI was the second largest wire service in the U.S. during the 1970s.  It was a tradition that one of the college newspaper editors would be a UPI stringer and so I was.  A former SFSU graduate worked as a reporter at UPI and he would often call and ask for a bit of “string” for national stories.  String was just another way of saying comments from around the country that could be woven into a large round-up story.

One such story that not only did I provide string but provide a quote that was in the story involved the firing of Lt. Gen. Lewis B Hershey in 1969.  Hershey was the head of the selective service  system, the draft, and a hated official during the Vietnam war. 

Here’s my quote:

“It’s great that Hershey as a personality is finally getting out,” said Howard Finberg, 20, a student at San Francisco State College. “But the system is still wrong, and that’s what needs to be corrected.”

The image is the wire service teletype copy that was set to newspapers and other subscribers of the UPI national wire. 

This was an interesting period to be a journalist and cover the Vietnam war era turmoil on your own campus.

Michael Bloomberg on Newspapers

Michael Bloomberg, president and founder of Bloomberg Financial Markets gave a keynote speech at the International Winter Consumer Electronics Show in Las Vegas in 1997.  His speech was about the future of electronic devices and he spent a lot of time talking about newspapers and whether there’s an electronic solution that would make consumers give up on print. [That’s why I’m posting his speech]. An excerpt:

And if we are going to build consumer products, if our businesses are going to grow and let electronic devices replace newspapers they are going to have to provide the same functionality. Now another answer to the problem would be don’t let radio and television become the substitute for newspapers. But find some way to make newspapers more valuable, more economic. And if you think about it, it is a very easy thing to do. Right now we go and we chop down an awful lot of trees in Canada, we haul them to the mill, we grind them up into paper, we put ink on it, we deliver it to the comer newspaper stand or the newspaper boy or girl throws it on your doorstep. You read it once and you throw it away. It is a phenomenally inefficient thing screaming for a technological solution.

Bloomberg also so the coming of streaming television:

No matter how many times people tell you that broadcast is here to stay, the feet of the matter is it is not here to stay. It is so compelling to be able to get what you want, when you want it, independent of everybody else that we are going to give you video on demand no matter what it costs and no matter who’s axe gets gored and people will try to protect their industries. They will try to protect their jobs, but the feet of the matter is, if you look at the public, the public has the interest in getting a movie they go to Blockbuster, they want to see it when they want to see it. The public even goes to the comer movie theater to see it when they want to see it. The public wants to be able to jump over commercials, which is going to be a very big problem. Who is going to pay for all of this? The public wants to be able to stop that football game for two minutes when the phone rings or when the diaper needs changing. And we are going to have to deliver those kinds of products, those facilities, those attributes for television.

His speech had some good visionary moments.

Visual Editing. A New Textbook

In early 1990, Bruce Itule and I published: “Visual Editing. A graphic guide for journlists”.  This textbook was aimed at editors at newspapers who handled various elements — photos, illustrations and informational graphics. It also tied all those elements together with chapters on newspaper design. It also include some history and a section on ethics.  It was a great learning opportunity and I believe it helped become a better editor and manager. The Visual Editing textbook is on this site. More on the book is here.

Chicago Tribune Publishes Watergate Tapes in 1 Day, 1974

One of the moments of journalism history that I had a chance to live was the Chicago Tribune’s publishing of some of the Nixon White House tapes – the Watergate tapes – in 1974. It was also a moment where I was so very proud of the Tribune and its management and staffers.

The paper created a 44-page supplement that contained every word of the transcripts. And it was done in a single day. The remarkable inside story about that publishing achievement was capture by the Tribune’s in-house publication, “The Little Tribune.”  The June 1974 edition is full details and names. For example:

After the decision was made, [editor Clayton] Kirkpatrick immediately contacted Maxwell McCrohon, managing editor; Frank Starr, chief of the Washington bureau; and Charles Parvin, assistant news editor then on duty, and instructed them to begin work on the project.

Because a decision had to be made quickly on how the transcript would be printed, a team of five editorial and production men was sent by Tribune plane to Washington’s Dulles airport to meet Frank Starr who would bring copies of the transcript.

Parvin contacted Dick Leslie, an assistant news editor, at his home about 10: 30 p.m. and asked him to round up two other men for the trip. Leslie called Bob Finan, editorial production coordinator, and George Cohen, Book World production man, who had experience with setting copy in cold type. John Olson, vice president and general manager, phoned Fred Hemingston, composing room superintendent, and Fred contacted Pat Ryan, engraving superintendent.  

This is a great story about the power of journalism.  The Tribune managed to print the transcripts BEFORE the official government printing office.

P.S. I was also proud to play a small role as a picture editor.

[art director Gus] Hartoonian and [art director Tony] Majeri created several designs for page 1, and one of them was selected by McCrohon. The front page story for the section was written by James O. Jackson, reporter, and Casey Banas, assistant to the editor, prepared the Transcript Index. Howard Finberg, assistant picture editor, located and sized photographs for page 1, inside and back pages, and ordered Velox prints from the engraving department. [picture editor Chuck] Scott asked photographer Chuck Osgood to take the special front page picture of the tapes.

Presentation to Straits Times, Singapore

In July 1993, I was invited to give a series of workshops to the visual journalists at the Straits Times in Singapore. [Straits Times company also owned the Business Times, a tabloid call New Paper and two native language papers: Berita Harian and Zaohao.]

The workshop was for three days. Among the topics covered:

  • Readership
  • Typography and Readability
  • Ethics
  • Color [although we spelled it Colour]
  • Graphics
  • The Future [Year 2000 design, based on the work done at the American Press Institute seminar on the topic].

Membership, Instructions and More for API Design 2000 Seminar

I’ve uploaded a collection of memos about the American Press Institute’s J. Montgomery Curtis Memorial Seminar on the future of newspaper design. The collection starts with the invite / acceptance letter in April 1988. 

On July 21, API sent out the important information about the  seminar — a memo outlining a task for each seminar participant: design a front page of the future.

Each member is being asked to create a front page of the future, including content mix and design elements. These front pages (which will become a part of this year’s post-seminar publication) will be analyzed in advance by Roger Black, one of the most active and acclaimed publication designers in the United States, and discussed during the program.

There is also a schedule of events and information about discussion groups and the final round-table.

Here’s a look at the seminar schedule:

  • Monday, September 12:
      • 8:30 – 10:00 – “Newspapers in a Visual Society11
        Speaker: John Lees, Partner, Herman and Lees         Associates, Inc., Cambridge, Mass.
      • 10:15 – 12:15 – “The Front Page”
        Speaker: Roger Black, President, Roger         Black Inc., New York, N.Y.
      • 2:00 – 3:30 – Study I: “The Future for Newspaper Graphics”
        Speaker: Howard Finberg, Assistant Managing         Editor, Arizona Republic, Phoenix, Ariz.
      • 3:45 – 5:15 – Study II: “Color”
        Speaker: Nanette Bisher, Assistant Art Director, U.S. News and World Report, Washington, DC.
  • Tuesday, September 13:
      • 8:30 – 10:00 – Study III: “The Impact of Technology”
        Speaker: David Gray, Managing         Editor/Graphics, Providence Journal Company, Providence, RI.
      • 10:15 – 11:45 – Study IV: “The Role of Tomorrow’s Newspaper Designer”
        Speaker: Marty Petty, Vice President/Deputy         Executive Editor, Hartford Courant, Hartford, Conn.
      • 12:00 – 1:30 – The membership will be broken into small groups to discuss in greater detail specific issues raised during the seminar.
      • 1:45 – 3:30 – The membership will return to the API Round-Table to hear reports from each group detailing observations and any conclusion.

One other important document: the discussion leaders biographies.

The end product of this seminar can be seen in this slideshow.

 

SND European Workshop

One of the most unusual and fun workshops that I have participated in was a tour of four European cities on behalf of the Society of Newspaper Design in 1993. Between May 7 and 15, six designers and editors gave workshops on design, photography, infographics and more to 300 participants from almost 20 different countries. Among the cities visited  by Andrew Chapin, Juan Antonio Giner, Bill Ostendorf, Norvall Skreien, Deborah Withey and myself were Stockholm, Hamburg, Zurich and La Coruna [Spain].  Here’s what Bill wrote for an SND publication:

The EFS, patterned after SND’s suc­cessful Quick Course programs in North America, drew warm and enthusiastic responses from audiences dominated by top editors. Most attendees had never heard of SND before attending one of the workshops, but afterwards many wanted to join, help establish chapters and spon­sor more SND events in their countries.

…

“Everyone was very interested in what SND has to offer. And they were very pleased with our decision to bring our biggest workshop to Europe in 1995,” said Howard Finberg.

He added that now is the ideal time to foster better design in Europe. ”While there are pockets of very good design in Europe, there are also a lot of areas that are just on the verge of the kind of design revolution that swept the U.S. in the ’70s and ’80s. While we were in Germany, you could feel that same sense of excitement when you talked to editors who saw the need for attracting new readers.”

The full article is here.

 

Joining the Chicago Tribune

I joined the Chicago Tribune as a copy reader sometime during the week of June 4, 1972.  I’m not trying to be  vague about the actual start date, I just don’t remember. However, I do have my “hire letter” from Harold E. Hutchings, executive editor:

“This confirms that, as stated in our telephone conversation today, we will start you at $230 per week and that you will be ready for work on June 4, 1972. Since this is a Sunday, it well may be that you will not be scheduled in until June 5. We can settle that matter when you reach the city.”

A weekly salary of $230 is about $12,000 a year in 1972 dollars; in 2021 dollars, that’s about $75,000. Pretty nice for my almost first job. It actually was my second job as I was working at the SF Examiner at the time. I had two years of experience. That’s not a lot, I realized.

Sidebar: Give the time difference between Chicago and that I was working the morning shift at the SF Examiner, Hutchings had to send an airmail, special delivery letter asking me to give him a call. I got the letter and called him the same day. And the rest is, as they say, history.

Presstine Magazine Covers 2000 Design Project

The industry publication Presstime covered the results of the API’s design seminar in its October, 1988 edition. The article’s lede:

Two dozen movers and shakers in the field of newspaper design pondered the substance and form of 21st century newspapers at the American Press Institute’s annual J. Montgomery Curtis Memorial Seminar.

The round-table seminar, conducted at the institute in Reston, Va., Sept. 11-13, used as a focal point hypothetical front pages dated 2000 and beyond that were designed by participants and posted on the walls of the seminar room.

Ironic, isn’t it: “posted on the walls…”

I got a mention for my presentation on the future of graphics:

Howard I. Finberg, assistant managing editor of The Arizona Republic, said the overwhelming majority of editors he questioned predicted graphics will play a greater part in newspapers in the year 2000. But this priority seems to shrink when talk turns to money: The editors told Finberg they would spend 70 percent of any extra funds for reporting and editing, and only 10 percent for graphics.

Sad and not surprising.  Given the visual nature of the Internet, would newspapers be in a better position today if they had invested in something other than words? Just wondering.